Eye Candy: Ferrari 212

Our friend and fellow automotive journalist/enthusiast/cheerleader, Bill Lockwood, lives near a little slice of classic car heaven – Restoration & Performance Motorcars (rpmvt.com) in Vergennes, Vermont. He recently sent over some of his photographs of the gorgeous Ferrari 212 being restored there. Not only is the car a work of art, but their workshop itself is a fine example of where classic cars should live.

This early Ferrari 212 racecar 0086E won the Giro d’Sicilia and burned to the ground soon after. As the only 212 with this body type, it has been restored to exacting specifications by RPM. A Swiss agent working for Ferrari’s Heritage Group has certified it authentic – after some rather bizarre but period-correct modifications.

For instance, the 212 had some additional vents installed near the rear of the car closer to the end of its racing lifespan. Because these modifications were done to the car in the past, they had to be recreated now, even though the earlier version of the car was more aesthetically pleasing.

If you are wondering what a one of kind Ferrari is worth in this kind of condition, you probably aren’t in the buying demographic. It should fetch between $4.5 and $5 million at global auction.

These are pics of the car, just prior to receiving some finishing touches, like the leather straps to hold the hood down, etc.

The 212 will be tested at a racetrack in early March, in preparation for the trip to Italy to race the 2010 Mille Miglia that will take place from Wednesday, May the 5th (optional), to Sunday, May the 9th.

To see more about the 212 and other Ferrari Restorations, see the FerrariCraft blog at ferraricraft.com

1965 Canadian Grand Prix at Mosport

Photo: Rob North via Canadian Motor Sport History Group

The Canadian Motor Sport History Group on Yahoo is a treasure trove of Canadian racing knowledge and nostalgia, and The Garage Blog recently posted a collection of Rob North’s contact sheet scans from the 1965 Grand Prix at Mosport, in Ontario. Names like Hobbs, Hall, and McLaren all pop up in these photos, and it is fascinating to compare the scenery and layout compared to today. Just the growth of trees in 40 years drastically changes the sight lines and look of the place!  Check out the full gallery, and more great history and stories at The Garage Blog.

Photo: Rob North via Canadian Motor Sport History Group

Car Movies: Un Homme et Une Femme

Although the classic French movie Un Homme et Une Femme (A Man and a Woman) is essentially a love story between the character Jean-Louis and the young widow, Anne, the former is a racing driver and the movie features a lot of great cars. From Mustangs on the road to a Brabham and GT40 on the track, this movie is a must-see for all classic car fans.

Directed by none other than Claude Lelouch, of C’Etait Un Rendezvous infamy, the movie was a critical success, being awarded a Grand Prix at the 1966 Cannes Festival, and a Golden Globe for the soundtrack. It features the rich visual style of Lelouch, a quirky French cinéma style, and the now-uncommon trait of telling the story through images instead of constant dialogue.

Enjoy this trailer for the movie, and an extended race car scene, and be sure to find the full film if you haven’t already!

Tents collapse at Russo & Steele Auction

Photo: All Classics LLC

Saturday Update: Insurance and owners are documenting the damage today, and Russo & Steele will be issuing a revised catalog shortly for auctions on Sunday and Monday. For some photos of the damage, check out All Classics LLC’s gallery.  Not for the faint of heart!

Heartbreaking automotive disaster struck the Russo and Steele classic car auction in Scottsdale, Arizona yesterday, as thunderstorms and high winds rolled in, collapsing two tents onto hundreds of auction cars. The site has been closed to media and attendees while the Fire Department secures the venue, and car owners have not yet been able to assess the damage the collapse might have caused. More news will be forthcoming as things get sorted out, but you can be certain there are some damaged cars and devastated owners. Thankfully, nobody was seriously hurt in the event. [via Auto-focus.us and Paul at Automobiliart]

YouTube video of the tent collapsing (warning: strong language in the background…but I think I’d be yelling the same thing if my car was in there!)

News Report:

Paddocks of the Past: Silverstone 1973

Yardley McLaren Transporter, Silverstone 1973

Yardley McLaren Transporter, Silverstone 1973 (Click to Enlarge)

Yardley McLaren team members start to unload their team transporter at the 1973 John Player Special British Grand Prix at Silverstone. Compared to the multi-level transforming ‘hospitality suites’ the F1 circus has now, the transporters of 1973 were little more than a shed on wheels.

The two McLaren M23 F1 cars epitomize the “wings and slicks” era. With their massive whale-tail wings, aeroquip hoses, and tall airboxes, they look impressive, with the car on top for Jody Sheckter, and the bottom for American racer, Peter Revson. Revson would go on to win the Grand Prix that weekend, after a huge startline pile-up forced a restart (see video below). Can’t quite figure out what the man with the headset has in his hand, and what the two people on the ground are up to.  Perhaps a TV crew?

Classic cameras for classic cars

When I started shooting action sports and mountain biking movies about 10 years ago, my first camera was an old Bolex 16mm camera. Shooting on film was a great learning process, and certainly made you focus on the task at hand. With only two minutes (and $60) worth of film on each reel, you learned to get things right the first time. Set and check exposure with a light meter. Choose focal length, shutter speed and frame rate. Roll camera (clackity-clackity-clack), and cue action! If all went well, you’d find out in a few weeks or months – whenever you got the film developed – whether that shot worked out. Pretty soon, the switch to digital video was made and I’ve never looked back.

Lugging modern high-definition cameras around at a vintage meet somehow seems to defeat the purpose and aesthetic of these events. We immerse ourselves in the atmosphere and culture of a bygone era – especially at events like Goodwood – and yet you rarely see vintage camera gear. Don’t get me wrong, I’m no luddite and the new video and photo gear is amazing, but I’ve been thinking about dusting off my old Bolex H16 to shoot some historic racing this year. Today’s video post on the always wonderful Chicane Blog has me convinced to give it a go:

Filmmaker Dikayl Rimmasch shot some great footage of the 2006 Rolex Invitational at Lime Rock testing two historic film cameras, a Bell & Howell 70 KRM (the KRM was the military model, this example was from the Vietnam era) and a 1930’s Cine Kodak. The beauty of these cameras is that you can achieve a very vintage look (grain, light flicker, etc) without having to fake it in post-production. The result is a gorgeous piece of film who’s technique does a service to the subject matter. Great stuff.


Bugatti ‘Lake Find’ up for auction

Classic car lovers always get excited when news of a rare, well-kept gem is unearthed in a barn or under a tarp in a back yard. It’s not often you hear of a “lake find”, but this story of a tax-evading 1925 Bugatti Brescia 22 Roadster being retrieved from the bottom of a lake in Switzerland has many people talking. It is up for auction by Bonhams at the Retromobile show on January 23, 2010, with an estimate of over €70,000. But the big question remains…what do you do with a rotten, half-missing lump of nostalgia? Bonhams kindly suggests that it might be more appropriate to preserve the wreck and build a replica. Here’s the back story…

1925 Bugatti Brescia on the bed of Lake Maggiore, Switzerland

1925 Bugatti Brescia on the bed of Lake Maggiore, Switzerland (Photo courtesy Bonhams)

Over the course of the past few months, one car in particular has become one of the most celebrated of all Bugattis, having lain submerged beneath the waters of Lake Maggiore in Switzerland for more than 70 years. The whereabouts of the sunken Bugatti had been known to the local scuba club for many years but in February 2008 a tragedy occurred that would eventually lead to its retrieval. On the 1st of that month, Damiano Tamagni was attacked by three youths and beaten so severely that he later died from his injuries. Damiano and his father Maurizio were both members of the scuba club in Ascona and it was decided to raise the Bugatti and use the funds from its sale to further the work of a charity set up in Damiano’s name, ‘Fondazione Damiano Tamagi’, which seeks to address the issue of juvenile violence.

1925 Bugatti Brescia begins its ascent from the lake bed.

Bugatti Brescia begins its ascent from the lake bed (Photo Bonhams)

But how did the Bugatti come to be in Lake Maggiore in the first place? Subsequent research has uncovered much of its history. On 11th April 1925, chassis number ‘2461’ was registered in Nancy, France in the name of Georges Paiva, with the number ‘8843 N 5’. A small brass plate found on the car after its removal from the lake bears the name ‘Georges Nielly, 48 Rue Nollet, Paris’ but the registration plate is only partly legible, the last digits being ‘RE 1’. This registration was issued in Paris between May and June 1930, which perhaps indicates that Georges Nielly bought the car earlier in 1930 at Nancy and had it registered in Paris in his name. These French registration plates have remained on the Bugatti ever since.

1925 Bugatti Brescia sees daylight for first time in 70 years

Bugatti sees daylight for first time in 70 years (Photo Bonhams)

The Bugatti chassis number plate is missing, as is the enamel Bugatti radiator badge. Apart from that, all the relevant numbers are to be found in their usual places. The chassis number ‘2461’ is on the round boss, located on the right front engine bearer (on the side of the exhaust manifold and steering-box) while the engine number ‘879’ is visible on the little round boss, located on top in the middle of the cam box, as well as at the front face of the lower crankcase, next to the water pump.

The gearbox bears the number ‘964’ at the back as well as the usual place on the cover. The rear axle has no number, which is normal for a Bugatti Brescia, but the ratio is stamped on the central casing and reads ’12 x 45′. The radiator is made by Chausson, as indicated on a plate just above the cranking handle, while the two rear spring carriers still bear the little brass plates with ‘EB, Bugatti, Molsheim (Alsace)’ on them. Contrary to the factory data, which mentions a Solex carburettor, the actual carburettor on the car is a bronze Zenith, correct for this type of Bugatti. The two magnetos (twin ignition) are made by SEV and mounted in the middle of the dashboard as usual for this type of car.

Bugatti cockpit showing remaining magnetos and gauges (Click for larger)

Bugatti cockpit showing remaining magnetos and gauges (Click for larger)

There are indications that the body may have been modified or replaced, the first one being, probably, a simple racing body lacking electrics and mudguards. The valances below the bonnet are in two pieces, where normally they would be in one piece, while the mudguards are slightly flared at the rear, which is unusual for 1925. All this possibly indicates a modified or new body made at the end of the 1920s.

So far, it has not been possible to determine with certainty the identity of the Bugatti’s owner in Ascona. However, the most likely candidate is Marco (Max) Schmuklerski, a Zurich-born architect of Polish descent. He is known to have stayed in Ascona from 17th July 1933 until 25th August 1936 when he left and returned to Zurich. At Ascona he designed, among other buildings, the ‘Casa Bellaria’ an apartment block that has only recently been demolished. If Marco Schmuklerski studied architecture at the famous Beaux Arts school in Paris, it is possible that he bought the Bugatti from Georges Nielly and brought it back to Switzerland, but without paying any import duties. It is also possible that he acquired the car from a French tourist (or client) at Ascona. Whatever the case, the Bugatti has always been driven in Switzerland with its last French plates and import duties have never been paid. Nor has the car ever been registered with Swiss plates.

Bugatti Brescia 'lake find' up for auction (Click for larger image)

The story going around Ascona is that Marco Schmuklerski left in 1936, leaving behind the Bugatti, which was stored in the yard of a local building contractor, Barra. Its owner at this time is not known, but the local customs officers knew of the car’s existence and insisted on payment of the import duties owed. At that point these duties may have amounted to more than the value of the Bugatti, which was 11 years old and well used. In the case of non-payment of the duties, the car had to be destroyed and the simplest way to do so was to tip it into the nearby lake. To facilitate its recovery the Bugatti was attached to a heavy chain, but when this finally corroded away the car fell to the lakebed at a depth of 53 metres.

Bugatti Brescia up for auction at Retromobile (Click for larger)

It remained there, undiscovered, until 18th August 1967 when diver Ugo Pillon located the mythical Bugatti, which was lying on its left side, partly buried in the mud. Pillon had been searching for it for some time and after its rediscovery the car became a popular target members of the local sub aqua club. On 12th July 2009, after a 73-year sojourn in Lake Maggiore, the Bugatti was finally rescued from the lake by Jens Boerlin and his comrades from Ascona’s scuba club. Local dignitaries and members of the Bugatti Club Suisse were in attendance, and the Bugatti was transferred by crane onto a trailer for inspection by the sizeable crowd of onlookers. Its long immersion in the lake had resulted in extensive deterioration, ferrous components being badly affected, particularly on the car’s exposed right-hand side. Other materials like wood, aluminium, brass, rubber, etc have survived in much better condition. It would, of course, be possible to restore the car, but it has been estimated that only some 20% of the original is reusable. Alternatively, a faithful replica could be created, using ‘2461’ as a pattern, for approximately the same cost as a full restoration. Arguably, it would be more appropriate to preserve the Brescia in its current state for static display, but that is for the fortunate new owner to decide.

Full Auction Listing on Bonhams.com

UPDATE (January 25, 2010): At auction for charity, the “lake find” Bugatti sold for a stunning €260,500! From Bonhams’ press release: “The Bugatti Type 22 that had lain submerged 53 metres below the surface of Lake Maggiore for over 70 years had attracted much pre-sale publicity. A number of telephone bidders sparred against those in the room. The winning bidder – a European collector representing the Peter Mullin Collection in California – will show the car in its present condition in his museum, whereas the underbidder – an American – had intended to restore the car.”